![eventide h910 harmonizer for reaper daw eventide h910 harmonizer for reaper daw](https://torrent-soft.net/uploads/posts/2021-05/1621377068_c900993a6be8.jpg)
That´s possible, but I don´t think he used this technique for guitar since there were effect units doing the job (Eventide H910 and alike). And experiemental scenes outside and inside academia certainly knew (know) what each other are doing - even if they sometimes don't like to acknowledge each other.Īnyway, all that to comment on P's versatility and mastery in all that exploration. A composition student thought it sounded like the French electronic composers associated with UParis and IRCAM. I'm pretty off topic here, but I played the beginning of "Crystal Ball" for a graduate music class May 2016 and asked them what they had heard. E-mail - orgNote - Report post to moderator In terms of studio wizardry and exploring modern hardware in interesting ways, I've always felt that it foreshadowed the experimental electronica that emerged from the UK in the 90s (Warp Records etc). It's such an interesting track from a musical and technical perspective. As others have said, there's lots of creative synth work going on. On a recent podcast, Susan said that he also used realtime pitch-shifting hardware (I forget the name of the unit).
![eventide h910 harmonizer for reaper daw eventide h910 harmonizer for reaper daw](https://images.reverb.com/image/upload/s--t3ZP3_1i--/t_card-square/v1617461999/fcc6anvrplsmnln6drxg.jpg)
Yes, I've always assumed that he used the same technique on his guitar that he used for the Camille vocals (recording at different speeds). I thought I read somewhere (can't find where) that the high pitched chicken scratch guitar sound (eg here / "Hello") was actually played in a lower key and then the tape sped up? The "breath sound" before the snare is reversed reverb. The whistle also comes from a synth, I´d assume he used his Oberheims but you can get this kind of sound out of almost every synth. The "zips" are toms of the Linn LM1 send through a flanger or phaser. The bass line is probably a moog (I guess George Clinton said that). It´s all synth, the Linn and a guitar through a pitch shifter/harmonizer.